Showing posts with label crime. Show all posts
Showing posts with label crime. Show all posts

Sunday, September 9, 2012

Peter Temple versus Peter Corris – Melbourne versus Sydney

Peter Temple – 'Jack Irish' series – Bad Debts, Black Tide, Dead Point and White Dog; The Broken Shore; In The Evil Day.

Peter Corris – 'Cliff Hardy' series – Taking Care of Business, Saving Billie, The Undertow, Appeal Denied, The Big Score, Deep Water and Torn Apart; Wishart's Quest.

Something different for the readers of Books with Balls. Have decided after having read a sizeable portfolio of writings by two Australian crime writers I will weigh them off against each other. The parallels between the writers are there allowing for comparison – both are Australian, both have a series based around a central character, both have won the Ned Kelly award and therefore inherit the title as being a 'Godfather of Australian Crime Fiction' and both write their work with an undoubted sense of place.

Let's begin with the works of each that do not fall into the single character based series they are known for. From Temple I have read two stand alone works – The Broken Shore and In the Evil Day. Both are thoroughly engaging pieces of writing; detailed, gritty, and leaving you as the reader desperate for more. Both works are very different, In the Evil Day an espionage thriller in the mould of Robert Ludlum set in Europe and The Broken Shore a dramatic tale of a divided small coastal town police officer in Victoria unravelling a chilling back story to the towns life. The latter being my undoubted preference, but both are great reads.

Wishart's Quest by Corris is a story of a former orphan, who became an esteemed academic, investigating the history of who his biological parents were. The quest takes him through racially divided communities in the NSW north coast and further into the deep underworld of Asia that was promulgated through the Vietnam war. The book is a good read however at times the story felt too far fetched to allow the reader to elevate it in their esteem above being 'a good read'.

Onto the more well known works, those around a central character and immediately comes a divergence. Whereas Corris has written prolifically (over 30 publications) on the adventures of his Sydney based private investigator Cliff Hardy, Temple has thus far elected to limit his use of Melbourne lawyer Jack Irish to just four novels.

At this point I the reviewer must admit to being of Melbourne, born and bred. Therefore anyone born north of the Murray will easily identify my bias, but I believe that the superior quality of Temple's books over Corris's (who incidentally was born in rural Victoria) is a metaphor for why I believe Melbourne is superior to Sydney.

Where Corris describes tales that have brash crash and bash episodes more often, Temple chooses a more subtle route. Corris's Cliff Hardy is a man's man who's passion is for the boxing ring in the inner city or the southern beaches of Maroubra or Bondi. Temple's Jack Irish is more thoughtful and cultured and chooses his leisure to examine horse flesh for his latest plunge or listening to Italian opera. Both appear well versed in the mysteries of females, Irish tends toward brooding good looks to attract them, Hardy makes his moves less subtly with a cocktail of booze and pick up lines.

In all seriousness both writers are worth reading if you are entertained by crime fiction. Temple is my preference however being less prolific than Corris in his writing (potentially a metaphor that those from Melbourne seek quality rather than the Sydney pursuit of quantity) I will be reading more of Cliff than of Jack.

Wednesday, February 16, 2011

Review: Riding the Rap by Elmore Leonard

Elmore Leonard writes crime thrillers like no-one's business. It's what he does. You may not have read him, but you'd know his works: Get Shorty, Be Cool, Out of Sight, Jackie Brown and 3:10 to Yuma are all films adapted from his works. And now at 85 he hasn't eased into retirement but maintained a keen ear for the patois that sharps, shylocks, grifters and bad guys use. Riding the Rap (though published before Out of Sight) only confirms his reputation from prior works: the man can tell a story.

There are several continuities between many of his novels. It's strange a lot of his stories take place in Florida given Leonard himself is a Detroit native and bears the reputation as that city's "Dickens": as in Out of Sight, Get Shorty and Riding's predecessor Pronto, Florida features heavily in the narrative. And like many of his other works, Riding features bumbling crooks with a simple plan which gets twisted and are forced to improvise. It's been said none of Leonard's characters are ever truly "good" guys - all have dark sides - and this rings true here; but like his most famous creations Chili Palmer and Karen Sisco, the main source for good is an implacable, indomitable hero exuding control and menace without outwardly trying.


It's not formulaic, but neither does it have the charm which made Get Shorty such a readable book, nor the humour and balance which appealed in Be Cool (believe it or not, the movie didn't do justice to the novel). Character identification is tough in many of Leonard's novels as - personally speaking anyway - I don't know any US Marshalls, Puerto Rican ex-cons, psychics, Arabian Bahamians or 50-year old stoners. That doesn't matter though, because even though it's difficult to like any of the characters, they are believable and each comes with their own form of dialogue, diction and most crucially, motives. Perhaps the author's greatest ability is making readers believe that even though his characters are pastiches, real people are out there just like them - smart and fiery, cool and calculating or just plain dumb. Smart readers will have to deal with premonitions of the ending well before you reach it, but the pages keep turning nonetheless.


Riding the Rap by Elmore Leonard: not his best work, but still very enjoyable, meaning it scores Tennis balls.

Image courtesy of angusrobertson.com.au